Presumably a native of
Asia Minor, Pausanias was a Greek writer of the second-century AD, who lived in
the period of the Antonines. He is famous for being the author of ten books entitled
Περιήγησις τῆς Ἑλλάδος (Periégesis tês Helládos, Engl. Description of Greece). The
work’s focus is on the „classical“ Greece of the First Sophistic (5th century
BC). Pausanias is mainly interested in the religious sphere of the
archaic-classical period as well as its material, mythical, and
ritual-performative forms of expression. Although, in his time, these
sanctuaries, temples, aetiological narratives, rituals, festivals, cult images,
etc. no longer existed to the full extent, Pausanias nonetheless selects some
of these to picture them vividly on a textual level for his educated audience. He
therefore applies the rhetorical stylistic device of ἔκφρασις (ékphrasis, Engl.
description). Thus, it is in many cases hard to distinguish between historic
and fictional utterances, especially for those who comprehend the work as a
travel report or tourist guide.
Thus, my research project
is a contribution to clarifying the question of how Pausanias’ idiosyncratic writing
can be adequately described. By the means of a reinterpretation of the work’
intention, based on the analyses of approximately 30 descriptions, it can be
shown that Pausanias is neither a tourist guide nor a peculiar historiographical
piece of work, but rather a museum guide for educated women and men coming from
different ethnic backgrounds and constituting the Roman elite, the museum being
Roman Achaea, where the reader encounters the ubiquitous cultural highlights of
the Greeks that are part of their collective memory. For Pausanias deliberately
creates semanticized space, in which a collection of antiquities is not only
admired by the reader, but in which the latter feels addressed by the described
places and gains the impression to really be in situ.
The present paper is a
first draft of my dissertation’s third chapter, as scheduled. It contains the
discussion of two ekphrastic examples, the first being an object description
(Apollon’s throne), and the second being a description of ritual practices (oracle
of Trophonios). In both cases, the discussion’s aim is to show how the text
tries to establish a connection to its reader in order to give him or her the
impression of being present.